Wendy Red Star (b.1981, Billings, MT) lives and works in Portland, OR. An enrolled member of the Apsáalooke (Crow) Tribe, Red Star works across disciplines to explore the intersections of Native American ideologies and colonialist structures, both historically and in contemporary society. Drawing on pop culture, conceptual art strategies, and the Crow traditions within which she was raised, Red Star pushes the conversation surrounding Native American perspectives in new directions.

Red Star has exhibited in the United States and abroad at venues including the Metropolitan Museum of Art (New York, NY); The Newark Museum (Newark, NJ), Brooklyn Museum (Brooklyn, NY), The Broad (Los Angeles, CA); the Getty Museum (Los Angeles, CA); Fondation Cartier pour l’Art Contemporain (Paris, France); Seattle Art Museum (Seattle, WA);  Portland Art Museum (Portland, OR); the Museum of Contemporary Art Chicago (Chicago, IL); St. Louis Art Museum (St. Louis, MO); the Contemporary Austin (Austin, TX);  Minneapolis Institute of Art (Minneapolis, MN);  Massachusetts Museum of Contemporary Art (MassMoCA) (North Adams, MA); The Drawing Center (New York, NY); and the Cleveland Museum of Art (Cleveland, OH), among many others. Her monumental sculpture, The Soil You See…, was included in Beyond Granite: Pulling Together, the first curated outdoor exhibition in the history of the National Mall (Washington, D.C), organized by Monument Lab in 2023. The work was then acquired by Tippet Rise Art Center (Fishtail, MT). Red Star’s was included in Acts of Resistance: Photography, Feminisms and the Art of Protest exhibition at South London Gallery, in partnership with the Victoria and Albert Museum (London, UK) in 2024.

Her work is in over 60 public collections, including be the Museum of Modern Art (New York, NY); the Whitney Museum of American Art (New York, NY); the Guggenheim Museum (New York, NY); the Lucas Museum of Narrative Art (Los Angeles, CA); the Amon Carter Museum of American Art (Fort Worth, TX); the Denver Art Museum (Denver, CO); Crystal Bridges Museum of American Art (Bentonville, AK); the Baltimore Museum of Art (Baltimore, MD); the Fralin Museum of Art at the University of Virginia (Charlottesville, VA); the Nasher Museum of Art at Duke University (Durham, NC); the Birmingham Museum of Art (Birmingham, AL); the Williams College Museum of Art (Williamstown, MA); San Antonio Museum of Art (San Antonio, TX); and the British Museum (London, UK), among others. 

Red Star holds a BFA from Montana State University, Bozeman, and an MFA in sculpture from University of California, Los Angeles. She served as visiting lecturer at institutions including Yale University (New Haven, CT), the Banff Centre (Banff, Canada), National Gallery of Victoria in Melbourne (Melbourne, Australia), Dartmouth College (Hanover, NH), and CalArts (Valencia, CA). In 2017, Red Star was awarded the Louis Comfort Tiffany Award, and in 2018 she received a Smithsonian Artist Research Fellowship. In 2022, Red Star was an Anonymous Was A Woman Grant recipient. Red Star was named a 2024 MacArthur Fellow.

Her first career survey exhibition, Wendy Red Star: A Scratch on the Earth, was on view at the Newark Museum (Newark, NJ) through May 2019, and traveled to the San Antonio Museum of Art (San Antonio, TX) in 2022 and the Columbus Museum of Art (Columbus, OH) in 2023. Red Star’s monograph Delegation was co-published by the Aperture Foundation and Documentary Arts in May 2022 and was named one of Vanity Fair’s best art books of 2022. Red Star’s artist book Wendy Red Star: Bíilukaa, which documents the symbolism and material culture of the Biílukaa (Apsáalooke), was published by Radius Books in April 2023. She is represented by Sargent's Daughters in New York City, NY and Roberts Projects, Los Angeles, CA.

CV

Wendy Red Star

1981 Born in Billings, MT

Lives and works in Portland, OR

Education

2006 MFA Sculpture, University of California, Los Angeles, Los Angeles, CA

2004 BFA Sculpture, Montana State University, Bozeman, MT

Selected Solo Exhibitions

2024

Bíikkua (The Hide Scraper), Roberts Projects, Los Angeles, CA

Wendy Red Star: In The Shadow of Paper Mountains, Gathering, London, UK

2023

Our Side, Sargent’s Daughters, New York, NY

A Scratch on the Earth, Columbus Museum of Art, Columbus, OH

2022

Apsáalooke: Children of the Large-Beaked Bird, Madison Museum of Contemporary Art, Madison,WI

Travels Pretty, Public Art Fund, New York, NY; Boston, MA; Chicago, IL

American Progress, Anderson Collection at Stanford University, Stanford, CA

Delegation, Sargent’s Daughters, New York, NY

A Scratch on the Earth, San Antonio Museum of Art, San Antonio, TX

2021

A Float for the Future, Sargent’s Daughters at The Armory Show, Javits Center, New York, NY

Brings Good Horses, Sargent’s Daughters, New York, NY

Wendy Red Star, Joslyn Art Museum, Omaha, NE 

2020

Wendy Red Star: Apsáalooke: Children of the Large-Beaked Bird, MASS MoCA, North Adams, MA

2019

Accession, Sargent’s Daughters, New York, NY

Wendy Red Star: A Scratch on the Earth, Newark Museum, Newark, NJ

2018

The Maniacs (We’re Not The Best, But We’re Better Than The Rest), University Art Gallery, New Mexico State University, Las Cruces, NM

2017

Our Side, Missoula Art Museum, Missoula, MT

Um-basax-bilua, Cue Art Foundation, New York, NY

Reservation Pop, Duluth Art Institute, Duluth, MN

2016

We Are The People, Weber State University, Mary Elizabeth Dee Shaw Gallery, Ogden, UT 

Strength Unity Power, Triton Museum of Art, Santa Clara, CA

2015

Tableaux Vivant: Nature’s Playground, Seattle Art Fair – Volunteer Park, Seattle, WA

2014

Peelatchiwaaxpáash/Medicine Crow (Raven) & the 1880 Crow Peace Delegation, Figge Art Museum, Davenport, IA

Peelatchiwaaxpáash/Medicine Crow (Raven) & the 1880 Crow Peace Delegation, APEX Gallery, Portland Art Museum, Portland, OR

Circling The Camp, Indianapolis Museum of Contemporary Art, Indianapolis, IN

Wendy Red Star, C.N. Gorman Museum, Davis, CA

Wendy Red Star’s Wild West And Congress Of Rough Rider’s Of The World, Bumbe shoot, Seattle, WA

2011

My Home Is Where My Tipi Sits (Crow Country), Missoula Art Museum, Missoula, MT 

Selected Group Exhibitions

2024

Indigenous Futures, The Autry Museum, Los Angeles, CA

Collage Culture, Moniquemeloche, Chicago, IL

What It Becomes, Whitney Museum of American Art, New York, NY

Are You Joking? Women & Humor, The Church Sag Harbor, NY

Nineteenth-Century Photography Now, Getty Center, Los Angeles, CA

Acts of Resistance: Photography, Feminisms and the Art of Protest, South London Gallery, London, UK

2023

Fluid Matters, Grounded Bodies: Decolonizing Ecological Encounters, Gallery 360, Northeastern University, Boston, MA

Beyond Granite: Pulling Together, National Mall, Washington, DC

Women Reframe American Landscape, New Britain Museum of American Art, New Britain, CT

Speaking with Light: Contemporary Indigenous Photography, Denver Art Museum, Denver, CO

Many Wests: Artists Shape an American Idea, Utah Museum of Fine Art, Salt Lake City, UT

The Rose, curated by Justine Kurland, lumber room, Portland, OR

New Acquisitions: Paul Bril To Wendy Red Star, The British Museum, London, UK

Sharjah Biennial 15: Thinking Historically in the Present, Sharjah Art Foundation, Sharjah, UAE

Between Life and Land: Identity, Kimball Arts Center, Park City, UT

Death of Beauty, Sargent’s Daughters West, Los Angeles, CA

2022

American Art: The Stories We Tell, The Seattle Art Museum, Seattle, WA

In a Dream You Saw a Way to Survive and You Were Full of Joy, Contemporary Austin, Austin, TX

The Clamor of Ornament: Exchange, Power, and Joy from the Fifteenth Century to the Present, The Drawing Center, New York, NY

In the Middle of Everywhere: Artists on the Great Plains, Remai Modern, Saskatoon, Canada

This is Not America’s Flag, The Broad, Los Angeles, CA

Strange Weather, Santa Cruz Museum of Art & History, Santa Cruz, NM

Based On A True Story…, Museum of Contemporary Art Chicago, Chicago, IL

Hues, Hannah Traore Gallery, New York, NY

2021

In Some Form or Fashion, The Momentary, Bentonville, AK

Picturing Motherhood Now, Cleveland Museum of Art, Cleveland, OH

Stories of Resistance, Contemporary Art Museum St. Louis, St. Louis, MO 

Horses?, CHART Gallery, New York, NY

2020

True Likeness, Van Every Gallery at Davidson College, Davidson, NC

House to House: Women, Politics, and Place, Frost Art Museum, Miami, FL

Never Done: 100 Years of Women in Politics and Beyond, Tang Teaching Museum at Skidmore College, Saratoga Springs, NY

2019

Half the Picture, Brooklyn Museum of Art, Brooklyn, NY

Perilous Bodies, Ford Foundation Gallery, New York, NY

Reflections: Native Artists Across Generations, Fralin Museum of Art at the University of Virginia, Charlottesville, VA

2018

Give a damn, Tang Teaching Museum at Skidmore College, Saratoga Springs, NY

2017

Unsettled, Nevada Museum of Art, Reno, NV; Anchorage Museum, Anchorage, AK; Palm Springs Art Museum, Palm Springs, FL

The Western: An Epic In Art & Film, Denver Art Museum, Denver, CO; Montreal Museum of Fine Arts, Montreal, Quebec

Dress Matters: Clothing as Metaphor, Tucson Museum of Art, Tucson, AZ

Hear My Voice: Native American Art of the Past and Present, Virginia Museum of Fine Arts, Richmond, VA; Museum of the Shenandoah Valley, Winchester, VA; Taubman Museum of Art, Roanoke, VA

Monarchs, Bemis Center for Contemporary Arts, Omaha, NE

2016

The Art of American Dance: 1830-1960, Crystal Bridges Museum of American Art, Bentonville, AR 

Contemporary Native Photographers and the Edward Curtis Legacy: Zig Jackson, Wendy Red Star, Will Wilson, Portland Art Museum, Portland, OR

Native Fashion Now, Portland Art Museum, Portland, OR; Peabody Essex Museum, Salem, MA; Philbrook Museum of Art, Tulsa, OK; Smithsonian’s National Museum of the American Indian, New York, NY

2015

The Plains Indians: Artists of Earth and Sky, Metropolitan Museum of Art, New York, NY; Nelson Atkins Museum, Kansas City, MO

Enter the Matrix: Indigenous Printmakers, Fred Jones Jr. Museum of Art, Norman, OK 

About Face: Self-Portraiture in Contemporary Art, Hood Museum of Art, Hanover, NH 

2014

Contemporary Native Photography, Novosibirsk Festival of Photography and Ekaterinburg Museum of Fine Arts, Ekaterinburg, Russia

Contemporary American Indian Art, Nerman Museum of Contemporary Art, Overland Park, KS 

2013

Space is the Place, Disjecta, Portland, OR

2012

Portland 2012: A Biennial of Contemporary Art, Disjecta, Portland, OR 

DoubleSpeak, Utah Museum of Contemporary Art, Salt Lake, UT

2010

Crow’s Shadow Institute of the Arts Biennial, Hallie Ford Museum, Salem, OR 

2009

Eiteljorg Fellowship of Native American Art, Eiteljorg Museum, Indianapolis, IN 

2006

Abstract Things, Laura Barlett Gallery, London, England 

Where I Lived..., Domaine De Kerguéhennec, Brittany, France 

2005

J’en Reve, Fondation Cartier L’ Art Contemporain, Paris, France 

Residencies & Awards

2024

MacArthur Foundation Fellow

Bonnie Bronson Fellowship

2023

Photobook of the Year Honoree: Delegation (Aperture), Center for Photography at Woodstock

2022

Anonymous Was A Woman Grant Recipient

2019

Crisp-Ellert Art Museum & Flagler College Artist-In-Residence 

Palm Springs Art Museum Artist-In-Residence

Art + Feminism, Call to Action Commission

2018

Joan Mitchell Foundation, Painters & Sculptors Grant

Smithsonian Artist Research Fellowship

2017

Louis Comfort Tiffany Award

Summer Indigenous Art Intensive, Artist-In-Residence, University of British Columbia 

Cue Art Foundation, Solo Exhibition Awardee

2016

Bemis Center For Contemporary Arts, Artist-In-Residence

The Ford Family Foundation, Hallie Ford Fellow

Seattle Art Museum, Betty Bowen Award

Native Arts Artist-in-Residence, Denver Art Museum

2015

The Joan Mitchell Foundation, Emerging Artist Grant Program Fellow

Crow’s Shadow Institute of the Arts, Golden Spot Award – Artist-In-Residence

2013

The Banff Centre Wood Land School – What colour is the present?

2009

Crow’s Shadow Institute of the Arts, Artist-In-Residence

Eiteljorg Contemporary Art Fellowship, Eiteljorg Museum of Art

2006

Skowhegan School of Painting and Sculpture

Provincetown Fine Art Works Center Residency

Panels, Conferences, Workshops & Lectures

2019

Boise State University, Boise, ID, Visiting Artist Lecture 

Brooklyn Museum, Brooklyn, NY, Artist Lecture

2018

The Fralin Museum of Art at the University of Virginia, Charlottesville, VA, Artist Lecture

Brown University, Providence, RI, Visiting Artist Lecture

University of Oregon, Eugene, OR, Visiting Artist Lecture

2017

Museum of Art/WSU, Pullman, WA, Joint lecture with Beatrice Red Star Fletcher

Association of Academic Museums & Galleries, Eugene, OR, Keynote Speaker

University of Northern Iowa, Cedar Falls, IO, James and Meryl Norton Hearst Lecture Series

2016

Minneapolis Institute of Art, Minneapolis, MI, Mark and Mary Goff Fiterman Lecture Series

Portland Art Museum, Portland, OR, Artist Lecture

If It Wasn’t For The Women, Women of Color, Behind and Through the Lens, Saint Louis Art Museum, St. Louis, MO, Guest Panelist

We Are The People, Weber State University, Ogden, Utah, Moderator

Yale University, New Haven, CT, Artist Lecture

2015

Seattle Art Fair Panel, CenturyLink Field Event Center, Seattle, WA, Guest Panelist

Things You Know But Cannot Explain: Symposium, Jordan Schnitzer Museum of Art, University of Oregon, Eugene, OR, Guest Panelist

Paul Brach Lecture Series, CalArts, Los Angeles, CA, Artist Lecture

About Face Panel Discussion, Hood Museum of Art, Dartmouth College, Hanover, NH, Guest Panelist

Remix Event, Artist Workshop Activities, Seattle Art Museum, Seattle, WA

2014

Portland Art Museum, Portland, OR, Artist Lecture

C.N. Gorman Museum, Davis, CA, Artist Lecture

iMOCA, Indianapolis, IN, Artist Lecture

2013

The Banff Center, Banff, Canada, Artist Lecture

Native American Art Studies Association – Denver Art Museum, Denver, CO, Guest Panelist

2012

The Museum of Contemporary Native American Arts, Santa Fe, NM, Artist Lecture

Western Washington University, Bellingham, WA, Artist Lecture

Publications

2023 Wendy Red Star, Wendy Red Star: Bíilukaa, Radius Books, 2023

2022 Julia Bryan-Wilson, Josh T. Franco, Wendy Red Star, Wendy Red Star: Delegation, Aperture and Documentary Arts, 2022

2021 Sargent’s Daughters, Wendy Red Star, Annika K. Johnson, PhD., Brings Good Horses, Sargent’s Daughters, 2021

2020 Aperture, Wendy Red Star, Native America | Aperture 240, Aperture Foundation, 2020

2019 Sargent’s Daughters, Wendy Red Star, Dr. Jordan Amirkhani, Accession, Sargent’s Daughters, 2019

Public Collections

Amon Carter Museum of American Art, Fort Worth, TX

Autry Museum of the American West, Los Angeles, CA

Bethel University Galleries, St. Paul, MN

Baltimore Museum of Art, Baltimore, MD

Birmingham Museum of Art, Birmingham, AL

The British Museum, London, United Kingdom

Brooklyn Museum, Brooklyn, NY

Buffalo AKG Art Museum, Buffalo, NY

C.N. Gorman Museum, Davis, CA

Columbus Museum of Art, Columbus, OH

Crocker Art Museum, Sacramento, CA

Crystal Bridges Museum of American Art, Bentonville, AK

Denver Art Museum, Denver, CO

Eiteljorg Museum of American Indians and Western Art, Indianapolis, IN

Forge Project, Taghankic, NY

Fralin Museum of Art at the University of Virginia, Charlottesville, VA

Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY

The Guggenheim Museum, New York, NY

Hallie Ford Museum of Art, Salem, OR

Hood Museum of Art, Hanover, NH

Jordan Schnitzer Family Foundation

Jordan Schnitzer Museum of Art, Eugene, OR

Joslyn Art Museum, Omaha, NE

Library of Congress, Washington, D.C.

Los Angeles County Museum of Art, Los Angeles, CA

Lucas Museum of Narrative Art, Los Angeles, CA

Memorial Art Gallery of the University of Rochester, Rochester, NY 

Metropolitan Museum of Art, New York, NY

Minneapolis Institute of the Arts, Minneapolis, MN

Minnesota Museum of American Art, St. Paul, MN

Museum of Contemporary Photography at Columbia College, Chicago, IL

Museum of Contemporary Native Arts, Santa Fe, NM

Museum of Modern Art, New York, NY

Nasher Museum of Art at Duke University, Durham, NC

National Museum of The American Indian George Gustav Heye Center, New York, NY

Nelson-Atkins Museum of Art, Kansas City, MO

Nerman Museum of Contemporary Art, Overland Park, KS

Newark Museum of Art, Newark, NJ

New Mexico State University – University Art Museum, Las Cruces, NM

Northwestern Pritzker School of Law, Chicago, IL

Palm Springs Art Museum, Palm Springs, CA

Peabody Essex Museum, Salem, MA

Philbrook Museum of Art, Tulsa, OK

Princeton University Art Museum, Princeton, NJ

Portland Art Museum, Portland, OR

Rockwell Museum, Corning, NY

Ruth and Elmer Wellin Museum of Art, Clinton, NY

Seattle Art Museum, Seattle, WA

St. Louis Art Museum, St. Louis, MO

Tippet Rise Art Center, Fishtail, MT

Tacoma Art Museum, Tacoma, WA

Triton Museum of Art, Santa Clara, CA

Virginia Museum of Fine Arts, Richmond, VA

Weisman Art Museum, Minneapolis, MN

Whitney Museum of American Art, New York, NY

Williams College Museum of Art, Williamstown, MA

Selected Press

2023 Ella Ray, “The Rose”, Artforum, 2023

Phillip Kennicott, “Art on the Mall! They put art on the Mall!”, The Washington Post, August 19, 2023

Sarah Cascone, “The National Mall’s First Outdoor Public Art Show Celebrates Diversity with Sculptures by Derrick Adams, Wendy Red Star, and More”, Artnet, August 18, 2023

Maya Pontone, “Reimagined Monuments Take Over DC.s National Mall”, Hyperallergic, August 18, 2023

Angelica Aboulhosn, “These Artists Art Redefining the American West”, Smithsonian Magazine, August 14, 2023

Mark Jenkins, “National Mall gets its first curated multi-artist exhibition”, The Washington Post, August 12, 2023

Claire Voon, “Monuments to overlooked histories are coming to Washington, DC’s National Mall”, The Art Newspaper, July 21 2023

Devorah Lauter, “ ‘We Get the History We Are Ready For’: Meet the Native Women Artists Claiming Their Place in New York”, Cultured, May 10, 2023

Chadd Scott, “Wendy Red Star Takes Columbus Museum Of Art Visitors To The Apsáalooke Reservation, Forbes, April 30, 2023

Ashley Steward, “Art Review: Engaging with Contemporary Work at CMA”, Columbus Underground, April 28, 2023

Rivera Amin, “14 Art Books and Catalogues We’re Reading This Month”, Hyperallergic, April 2, 2023

“National Mall Commissions 6 Artists for Monument Exhibition”, The New York Times, February 3, 2023

2022 Time Photo Department, “TIME’s 20 Best Photobooks of 2022”, Time Magazine, December 21, 2022

Julie Baumgardner, “A New $4.5 Million Public Art Initiative Aims to Create ‘More Inclusive and Equitable’ Monuments. The First Selection Is Coming to the National Mall”, Artnet News, December 7, 2022

Jonathon Keats, “This Powerful Exhibit Shows How Indigenous Photographers Are Taking Native American Identity Back From The Colonizers”, Forbes, November 7, 2022

Carolina A. Miranda, “Wendy Red Star reimagines a 19th century Indigenous gathering at the Broad”, Los Angeles Times, September 3, 2022

Rahmanan, Anna, “Check out these colorful art pieces on display at 100 bus shelters around NYC”, Time Out New York, August 25, 2022

Dafoe, Taylor, "Rising Artist Wendy Red Star on Why She’s Bringing Lost Native American Histories to Light on Bus Stops in Three U.S. Cities,” Artnet, August 25, 2022

Midge, Tiffany, “Wendy Red Star’s Indigenous Gaze,” The New Yorker, July 18, 2022

Vankin, Deborah, “Liberty, justice and freedom for all? Happy independence day, everyone,” Los Angeles Times, July 2, 2022

Dodson, Jewels, “Wendy Red Star Valiantly Recontextualizes Indigenous Representation,” Artsy, June 22, 2022

Churchman, Fi, “Wendy Red Star: A Float for the Future,” ArtReview, June 9, 2022

Becker, Stephanie, “‘This is Not America’s Flag:’ Artworks challenge what it means to be from the United States,” CNN, May 22, 2022

Reid, Madison and Allison Schaller, “12 of This Spring’s Best Art Books,” Vanity Fair, May 18, 2022

Ford, Moya Lauren, “Wendy Red Star’s Empowered Vision of Crow History, Hyperallergic, April 21, 2022

Chernick, Karen, “Why Artist Wendy Red Star Centered Indigenous People in Her Abstracted Revision of the Iconic Manifest Destiny Painting ‘American Progress’,” ARTnews, April 22, 2022

Wander, Robin, “Apsáalooke artist Wendy Red Star creatively engages with the Stanford community,” Stanford News, April 21, 2022

Museum, Whatcom, “Reframing a more inclusive American West in modern and contemporary art,” The Seattle Times, April 3, 2022

2021 Al-Khudhairi, Wassan and Misa Jeffereis Stories of Resistance, Contemporary Art Museum,  2021 

Durón, Maximilíano. “The 10 Best Booths at New York’s Armory Show: Stunning Sculptures, Under-Recognized Pioneers, and ‘Mindscapes’,” ARTnews, September 10, 2021

Schultz, Abby. “New York Fairs Return With Reports of Brisk Sales,” Barron’s, September 9, 2021

Sharp, Sarah Rose. “When the present does not add up, artists look to the future,” The Art Newspaper, September 9, 2021

Heinrich, Will. “Art Fairs Come Blazing Back, Precarious but Defiant,” The New York Times, September 9, 2021

Colman, Michelle Sinclair. “The 2021 Armory Show Heralds the Return of New York’s Art Scene,” Galerie Magazine, September 7, 2021

Geary, Owen Krzyzaniak. “Wendy Red Star: Brings Good Horses at Sargent’s Daughters,” The Arcade Project, May 2021

Kiley, Brendan. “Seattle Art Museum aims to overhaul its American art galleries to be more inclusive,” The Seattle Times, June 16, 2021

Bierman, Courtney. “Joslyn Exhibition Reunites Members of Indian Congress, 123 Years Later,” Kios, April 19, 2021

Quarterly Journal: No. 29, “High/Low Issue,” Los Angeles Review of Books, February 2021

Scott, Chad. “Travel Back In Time To The Indian Congress Of 1898 Via Wendy Red Star At Joslyn Art Museum In Omaha,” Forbes, February 7, 2021

Chernick, Karen. “The Historic Indian Congress is United in Omaha by Artist Wendy Red Star,” The Art Newspaper, February 1, 2021

2020 “The Most Influential Artists of 2020,” Artsy, December 7, 2020

Whyte, Murray. “Artist Wendy Red Star corrects the record on her Crow forebears,” Boston Globe, November 25, 2020

Haque, Fahima. “The Native Artists Showing Us What’s Happening in Indigenous America,” The New York Times, September 10, 2020

Chernick, Karen. “Wendy Red Star Is Teaching Children About the Crow Nation With Her Art,” Hyperallergic, August 6, 2020

Carrigan, Margaret. “Museums in Western Massachusetts Reopen,” The Art Newspaper, July 14, 2020

2019 Green, Christopher. “Review: Wendy Red Star,” Art in America, May 2019

Cipolle, Alex. “Increasing Exposure for Native Artists,” The New York Times, March 12, 2019

Sullivan, Robert. “Wendy Red Star’s New Exhibition Is Part Historical Corrective, Part Ghost Story,” Vogue, March 2, 2019

Friedman, Julia. “An Attempt to Redefine Feminist Art Has Some Surprises, Hyperalleric, February 25, 2019

Rinck, Jonathan. “A Museum Gains Prominence Through Collecting Native American Artists’ Work,” Hyperallergic, February 21, 2019

Cascone, Sarah. “Editors’ Picks: 16 Things Not to Miss in New York’s Art World This Week,” Artnet News, February 19, 2019

2018 Guerber, Megan. “Q&A with Wendy Red Star and Beatrice Red Star Fletcher,” American Craft Council, May 17, 2018

Mentzer, Morgan. “Wendy Red Star: Owning Your Power,” NEA Arts Magazine, 2018

Thompson, Chuck. “Wendy Red Star and the Indigenous Voice,” Cowboys and Indians, January 25, 2018

2017 Red Star, Wendy. “The Year According to Wendy Red Star,” Walker Art Magazine, December 14, 2017

Walsh, Cory. “'Our Side': Art examines indigenous traditions, identity and innovation,” Missoulian, December 8, 2017

Billard, Jillian. “8 Contemporary Native American Artists Challenging the Way We Look at American History,” Artspace, November 24, 2017.

Thompson, Chloe Alexandra. “Story Trader: An Interview with Wendy Red Star,” Art in America, November 8, 2017

Hatfield, Zack. “Wendy Red Star Cue Art Foundation,” ARTFORUM, June 2017

Stull Meyers, Ashley. “Interview with Wendy Red Star,” Daily Serving, March 14, 2017 

Lukin Linklater, Tanya. “The Insistence of a Crow Archivist: Wendy Red Star,” Blackflash Magazine, 33.2, February 3, 2017

2016 Beck, Abaki. “Decolonizing Photography: A Conversation with Wendy Red Star,” Aperture Magazine, December 14, 2016

Blais-Billie, Braudie. “Wendy Red Star Makes Probing Art About Native American Identity,” i-D Magazine, November 18, 2016

Kiley, Brendan. “Wendy Red Star Named 2016 Winner of Betty Bowen Award,” The Seattle Times, September 21, 2016

Steinkopf-Frank, Hannah. “Meet Wendy Red Star, One of Contemporary Native American Art’s New Faces,” Paper Mag, August 26, 2016

Fleischer, Evan. “Native American photographers respond to Edward Curtis’ images 100 years later,” The Guardian, May 6, 2016

PBS. “Oregon Art Beat: Wendy Red Star,” PBS, February 18, 2016.

2015 Margolis-Pineo, Sarah. “Red Star Rising,” Bitch Magazine, 67, Summer 2015

Gopnik, Blake. “At the Metropolitan Museum, Wendy Red Star Pokes at Indian Clichés,” Artnet, April 7, 2015

2014 Brien, Luella. “Wendy Red Star on the Rise,” Native Peoples Magazine, November - December 2014 Graves, Jen. “Maybe Don't Wear a Warbonnet to the First-Ever All-Native Art Exhibit at Bumbershoot,” The Stranger, August 20, 2014